Abstract:
The focus of this studio-based study was to transform scrap metals into aesthetic
masterpieces of art. It was premised on the assumption that the intuitive technique of
working with scrap metal art provides the freedom and flexibility to exercise creative
expressions on a three dimensional level of art. Moreover, our environment can be
enhanced and saved from untidiness and destitution through different efforts, one of
which the artist can contribute his/her quota creatively to transform the discards into
a new forms of aesthetic values. Even though scrap metal art is widely known and
practiced by a large number of artists around the world, in Ghana much has not been
seen. The study commenced with the study and assessment of the scrap metal
situation and possible environmental hazards or risks in the Sekondi/Takoradi
metropolis. Structured questionnaires, interviews and observation were used to
gather data using qualitative research approach. It employed descriptive methods of
research data collection from artists, metalworkers/craftsmen, scrap metal collectors,
scrap dealers, the Sekondi/Takoradi Metropolitan Assembly and Environmental
Protection Agency for its execution and analysis of the results. The questionnaire
sheets and interviews were carefully scored and transferred for analysis. The total
number of sampled participants was 100. Questionnaires were administered on 65%
of the respondents. The remaining Thirty-five were interviewed. The descriptive
method was used to discuss the activities on scrap metals. To produce and document
scrap metal art the researcher chose the studio-based research approach where
aesthetico-action method was employed for techniques and procedures of executing
scrap metal art. The outcome of the study on the nature of scrap metals in
Sekondi/Takoradi indicated that its trade serves as livelihood opportunities for
people with less educational background. The economic benefit from scrap metal
trade was found to be satisfactory among its traders in its suburbs of
Sekondi/Takoradi metropolis. Moreover, knowledge and education on health hazards
and environmental pollution were found to be lacking in those engaged in the
activity of scrap metal trade. Having identified the aesthetic qualities of scrap metals,
therefore, a piece of sculpture was created with scrap metals as means of establishing
the viability of the materials as potential material for creation of sculpture. This was
also to demonstrate how scrap metal art could serve as a means of controlling the
dangers posed by scrap metals in the environment. In other words, transforming
dangers into beauty. Based on the outcome of the study, it was recommended that
handling of scrap metal situation in the Sekondi/Takoradi metropolis should not be
left solely in the hands of metal traders. With the ongoing diversification in aesthetic
sensibilities and creativity, Ghanaian sculptors need to direct their attention to scrap
metals as alternative materials for their work.
Description:
A Thesis in the Department of Music Education, School of Creative Arts,
Submitted to the School of Graduate Studies, University of Education,
Winneba in Partial Fulfilment of the Requirements of Master of Philosophy
Degree in Arts and Culture.