Abstract:
There has been increasing predictability of the factors that influence the choice and
perception of glass beads. This research tends to compare and analyse the similarities
and differences in the glass beads produced among the Ashanti and Krobo of Ghana.
The research adopted qualitative research approach using a case study research design.
The study areas were Atwima Akropong and Kumasi in the Ashanti Region and
Somanya and in the Eastern Region. Data needed for the study was gathered from
traditional glass bead producers, bead users, youth and glass bead traders. Purposive and
convenient sampling techniques were employed and the sample size was twenty five.
Both structured and semi-structured interviews as well as participant observation were
the data collection tools used for the study. The results were analysed thematically,
interpreted and presented in simple descriptive statistics. The research revealed that
customers of traditional glass beads preferred Krobo beads to Ashanti glass beads. The
demand for glass beads produced by the Krobo motivates glass bead producers to
produce in larger quantities. The study reveals that the preference for old beads is
powered by the perception that they are authentic and more durable than recent versions
of glass beads. The factors that inform the choice of glass beads are its appearance,
attractiveness, beauty and proper finishing styles. The study also revealed that glass
beads produced in the Ashanti region were currently used for funerary articles whilst
glass beads produced by the Krobo were designed for several occasions such as birthday
parties, engagement, puberty rites, and funerals, among others.The study recommends
that glass bead producers especially the Ashanti are encouraged to produce new
techniques of glass beads that can be used for several occasions and to attract customers
all over the world. Further, the areas where glass beads are being produced should be
educated on economic and aesthetic significance of glass beads in Ghana.
Description:
A Dissertation in the Department of Music Education,
School of Creative Arts, submitted to the
School of Graduate Studies in partial fulfilment
of the requirement for the award of
Master of Philosophy
(Arts and Culture)
in the University of Education, Winneba
DECEMBER, 2020