Misuse of Adinkra symbols by textile designers implications on Ghanaian cultural ethics

Abstract

In Ghana, adinkra symbols as cultural heritage bring out historical and philosophical ideas, educational as well as understanding of values, norms, and beliefs of the Ghanaian people especially among Akans. Therefore, how these symbols are adopted and used by individuals in the society become a concern since they play an integral role in transmitting traditional values and structures. In this regard, the current study investigated the misuse of adinkra symbols by textile designers and their implications on Ghanaian cultural ethics. The study employed qualitative research approach. The study recruited 15 respondents including student/professional designers (6), local designers (6) and custodians of adinkra symbols (3) using purposive sampling technique. Data collected for the study were analysed using thematic content analysis. Information gathered from the study indicates that most textile designers misuse adinkra symbols in textile designing to a large extent although textile designers possess knowledge on traditional implications of adinkra symbols.Moreover, results on traditional custom or norm for regulating the use of adinkra symbols indicate that there is no custom for regulating the use of adinkra symbols in the Ghanaian society. The implication of the current investigation lies in the additional information to existing knowledge in the fashion design and textile industry as in-depth knowledge on Adinkra symbols has been advanced. Based on the findings, the study recommends extensive education as well as classifying usage of adinkra to help safeguard cultural elements such as shape and meanings associated with the symbols. In conclusion, the study envisages that stakeholders of adinkra symbols will appreciate the value of the Adinkra symbols and consequently use norms or customs to improve its education, understanding and commerciality.