Photojournalism practice in Ghana- a phenomenological study of some selected photojournalists

Abstract

Premised on disruptive technologies theory and professional identity theory, this study examines the practice of photojournalism in Ghana by identifying and understanding the specific roles of the practitioners, their experiences in terms of the challenges they face as well as perspectives of the future outlook of the practice in Ghana. Using a qualitative research approach and phenomenology as a design, the data for the study was collected via in-depth interviews. This study sampled 6 photojournalists who work for some selected highly patronized media institutions in Ghana. The study revealed that the roles of photojournalists in Ghana include; covering new events, creating online photo essays as well as taking videos and creating short skits for social media. The study confirmed that the influx of new technologies has affected the traditional notion of photojournalism practice. Hence, photojournalism roles have become democratized, creating competition between professionals and amateur or iPhone-armed photographers. Therefore, photojournalists are expected to upskill to expand their capabilities and remain relevant in the newsroom. The study also identified the diverse challenges photojournalists face in their practice in Ghana, including; stigmatization, job losses, financial crisis, physical abuses, copyright infringement, technological challenges etc. The study revealed that in future, there is likely to be an imminent switch from news photography to fashion programs, awards shows, music events, parties, weddings and funerals due to financial difficulties in news photography.