Incorporating mbensuon ensemble into the christian religious activities of the catholic church. a case of Anomabo parish

Abstract

The study was conducted to find out why the Roman Catholic Church in Anomabo Parish incorporates traditional ensembles like “Mbensoun, Asafo, F4nt4mfr4m” and other ensembles in her activities. The researcher employed both quantitative and qualitative approaches to gather the data. The study revealed that three elements of the ensemble have been incorporated in the activities of the Church. That is, blowing of horns, playing of drums and bell as well as singing of traditional songs. The study revealed that most people who are non-Catholics do not understand why the Catholic Church incorporates “Mbensoun” in her religious activities. However, eighty five percent (85%) of the respondents agree that „Mbensuon‟ should be incorporated in the Catholic Church in order to entice the participation of the youth to unearth their musical talents and to preserve the culture of the communities in Anomabo Parish. The research also revealed that the inculturation of the „Mbensuon‟ ensemble has erased the dichotomy between the Catholic Church and members of the community. The inculturation also helps people to maintain their tradition, culture as well as traditional ensemble. The study recommends that traditional ensembles like „Mbensoun, F4nt4mfr4m, kete‟ and others must be taught in all pre tertiary institutions in Ghana to enable all children of school going age to develop positive attitude towards African musical instruments. In conclusion, the research work exposes to non-Catholics to some of the activities of the Catholic Church, and why those activities are carried out.