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Ghana’s visual culture in the era of smartphone photography

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dc.contributor.author Danso, G.
dc.date.accessioned 2026-06-24T12:03:26Z
dc.date.available 2026-06-24T12:03:26Z
dc.date.issued 2024-07
dc.identifier.uri http://41.74.91.244:8080/handle/123456789/5324
dc.description A thesis in the Department of Music Education, School of Creative Arts, submitted to the School of Graduate Studies, in partial fulfillment of the requirements for the award of the degree of Doctor of Philosophy (Arts and Culture) in the University of Education, Winneba JULY, 2024 en_US
dc.description.abstract This study investigates the influence of smartphone photography on Ghana’s visual culture. The research specifically examines the prevalence and patterns of smartphone photography; the role of social media in shaping visual practices; the ways smartphone photography contributes to the representation of Ghanaian identity and heritage; and the challenges and opportunities it presents for professional photographers. A qualitative research design was adopted, employing interviews, observation, and photographic documentation. The study, using qualitative approach purposively sampled twenty-five participants drawn from Takoradi and Accra, including smartphone users, professional photographers, cultural custodians, photography lecturers and trainers, experts from the Centre for National Culture, and photography students. Data were analysed thematically to identify key patterns, meanings, and interpretations across participants’ narratives and visual evidence. Findings indicate that smartphone photography has become pervasive and deeply integrated into everyday life across both urban and rural spaces. Its widespread use, accelerated since the mid-2000s and supported by social media platforms, has democratized visual storytelling and expanded public participation in image-making. Smartphone photography enables individuals to document personal experiences, assert cultural identity, and contribute to evolving representations of Ghanaian life. At the same time, professional photographers acknowledge that smartphones offer new creative possibilities and avenues for collaboration; however, concerns remain regarding declining professional standards, oversimplification of photographic processes, and challenges to cultural authenticity. The study concludes that smartphone photography has become central to Ghana’s contemporary visual culture. It promotes inclusivity, creativity, and instant sharing of narratives, yet also requires balanced engagement to sustain professional practices and preserve cultural values. It is recommended that photography educators collaborate with cultural institutions to promote culturally sensitive and ethical visual storytelling. Smartphone users are encouraged to adopt basic photographic techniques and responsible sharing practices. Professional photographers are urged to embrace smartphones as complementary tools, leveraging mobile technologies for innovation while maintaining professional integrity. Future research may compare professional and amateur photographic narratives or explore the impact of smartphone photography on archival and cultural memory systems en_US
dc.language.iso en en_US
dc.publisher University of Education, Winneba en_US
dc.subject Smartphone en_US
dc.subject Photography en_US
dc.subject Ghana’s visual culture en_US
dc.title Ghana’s visual culture in the era of smartphone photography en_US
dc.type Thesis en_US


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