A study of the picture making course at UEW and its alignment with Global contemporary Art trends

Abstract

The University of Education, Winneba is currently a public university in Ghana with the core mandate to train teachers. It holds both the opportunity and responsibility to provide excellent teacher preparation for aspiring visual arts educators. Art is continually evolving, embracing innovative techniques, materials, and concepts that challenge traditional artistic norms. Art practices at UEW do not adequately reflect current world practices, because for over a long period, the school has maintained teaching almost the same techniques and methods of art, giving students a limited view of the art industry. The study adopts a case study design, allowing for a detailed examination of the depth of contemporary art practices among Picture Making students at the Department of Art Education, UEW. Participants of the study included Picture Making Lecturers, alumni and students who had at least completed 300 level of their degree programmes. It was realised that the content of the curriculum largely adopts the mimetic approach. Some lecturers had however made some efforts at chipping in a few contemporary art practices in their teaching instruction. Lecturers cited the operational Picture Making component of the accredited Art Education document and the Senior High School Visual Art curriculum as the factors that had for a very long time limited the Department from adopting contemporary art as an area of study for Picture Making. Through a document review of the Picture Making component of the Art Education accredited programme, it was observed that the curriculum leaned towards mimetic and formalistic theories in art practice. Consequently, the contemporary art genre has no place in the curriculum, creating a gap between the Picture Making classroom and the contemporary world of art. Student participants had very limited knowledge of the contemporary art genre. The findings of this research led to the proposal of a four-phased model for Picture Making instruction, and other strategies for incorporating contemporary art into the Picture Making course. The model combines both traditional and contemporary art methods, bridging the gap between the current Picture Making pedagogy and contemporary art practices. It is recommended that conceptual thinking, critical analysis, and interdisciplinary approaches to art-making should be introduced into Picture Making at UEW to provide students with a broader understanding and engagement in contemporary art.