http://41.74.91.244:8080/handle/123456789/646 2026-04-06T15:28:02Z 2026-04-06T15:28:02Z Peprah, P. http://41.74.91.244:8080/handle/123456789/5167 2026-03-30T09:53:01Z 2024-07-01T00:00:00Z

Music instruction in Krowor Municipal basic Schools Peprah, P. This study embarked on an in-depth exploration of music education within the context of private basic schools in Krowor Municipality. The research harnessed the insights of 45 participants; 5 music teachers and 40 pupils, selected through purposive sampling, to illuminate the current state of music instruction there. Employing a comprehensive methodology that encompassed in-depth interviews, focused group discussions, and observations, the study uncovered multifaceted perspectives on music education. The data for this study was analysed u+--sing a thematic analysis method. Across the sampled schools’ diverse approaches to music education emerged, shedding light on varying levels of integration and importance. The limitation of allocated time emerged as a constraint, impacting the depth and effectiveness of music education, despite its acknowledged positive influence on academic performance. An intriguing facet unveiled by the socio-demographic analysis was the prevalence of non-specialist teachers, highlighting a central challenge of generalist educators delivering music instruction. Proposed solutions include dedicated time slots and specialist teachers. This study calls for collaborative measures to address these challenges and optimize music education quality. As the study findings resonate beyond the sampled schools, they offer insights for broader efforts to nurture holistic and impactful musical education experiences A thesis in the Department of Music Education, School of Creative Arts, submitted to the School of Graduate Studies in partial fulfilment of the requirements for the award of the degree of Master of Philosophy (Music Education) in the University of Education, Winneba JULY 2024

2024-07-01T00:00:00Z Mensah, L. http://41.74.91.244:8080/handle/123456789/5165 2026-03-30T09:39:47Z 2025-02-01T00:00:00Z

Mitigating the effect of ‘broken’ English in academic writing- Theatre for development as intervention Mensah, L. This study, titled "Mitigating the Effect of ‘Broken’ English in Academic Writing: Theatre for Development as Intervention," investigated the frequency and impact of ‘Broken’ English on academic writing at Peki Senior High Technical School in the Volta Region, Ghana. The research identified ‘Broken’ English as a significant linguistic challenge that hindered effective communication, comprehension, and academic performance among students. The persistent use of non-standard English in students' written work resulted in grammatical inconsistencies, improper sentence structure, and reduced clarity, ultimately affecting their academic success. Using a qualitative research approach, the study explored Theatre for Development (TfD) as an innovative and culturally relevant pedagogical intervention to address these linguistic challenges. TfD integrated drama, role-playing, and interactive performances to foster students’ language proficiency and cultural awareness. This approach allowed students to engage actively in the learning process by visualising language-related errors, reenacting corrective measures, and participating in discussions that reinforced the principles of Standard English usage. The intervention highlighted the contextual relevance of language learning, bridging the gap between students' everyday linguistic practices and the academic writing standards expected in formal education. Data were collected through document analysis, Focus Group Discussions, interviews, and direct observations. A sample of 30 students’ academic scripts was analysed to identify linguistic patterns and challenges related to ‘Broken’ English usage. The TfD intervention involved dramatised scenarios portraying common language errors, followed by interactive discussions that emphasised correct grammar, vocabulary usage, and writing conventions. The findings revealed that the TfD approach significantly enhanced students’ understanding of Standard English grammar, vocabulary, and writing conventions. Students who participated in the intervention demonstrated improved academic writing skills, greater awareness of linguistic rules, and increased confidence in their ability to express themselves effectively in formal contexts. Furthermore, the participatory and engaging nature of TfD created an inclusive learning atmosphere that encouraged peer collaboration and self-expression, reinforcing students’ commitment to language improvement. The study also noted that students who were more conscious of the negative effects of ‘Broken’ English made deliberate efforts to minimise its use in their academic work, highlighting the effectiveness of awareness-driven interventions. This research contributes to the discourse on language education by providing actionable recommendations for educators, policymakers, and stakeholders to integrate TfD into the school curriculum as a long-term strategy for improving students' language proficiency and academic outcomes. Additionally, the study underscores the importance of continuous support mechanisms, such as writing workshops and peer mentorship programs, to sustain students' progress in mastering Standard English. By equipping students with the necessary language skills, this study reinforces the importance of overcoming linguistic barriers to ensure success in academic and professional settings A thesis in the department of Theatre Arts, School of Creative Arts, submitted to the School of Graduate Studies, in partial fulfilment of the requirements for award of the Master of Philosophy (Theatre Arts) in University of Education, Winneba FEBRUARY, 20

2025-02-01T00:00:00Z Danquah, K.T. http://41.74.91.244:8080/handle/123456789/5101 2026-03-18T11:09:12Z 2024-07-01T00:00:00Z

Parental perspectives on children’s artistic expression- a study of the Effutu talent show in the Effutu Municipality, Ghana Danquah, K.T. This qualitative case study explores parental perspectives on the Effutu Talent Show, an annual event for children aged 7-15 in the Effutu municipality of Ghana. Using semi-structured interviews with 10 parents of diverse educational backgrounds, the study investigated how parents view the show, its perceived benefits for children’s artistic development, and expectations for future iterations. Findings revealed that parents generally hold positive views of the show, praising its ability to uncover hidden talents and provide a platform for artistic expression. Parents reported significant benefits to their children’s artistic development, including increased confidence, enhanced skills, and improved social behavior. However, challenges such as insufficient publicity and financial constraints were noted. Parents expressed expectations for more diverse talent categories, enhanced parental involvement, and year-round programming in future shows. The study concludes that the Effutu Talent Show is a valuable community asset with potential for significant impact on children’s artistic and personal development. Recommendations include expanding talent categories, implementing a structured competition format, enhancing parental involvement, developing year-round programming, improving outreach, securing sustainable funding, and enhancing cultural and educational components. This research contributes to understanding parental perspectives on children’s artistic expression. A thesis in the Department of Theatre Arts, School of Creative Arts, submitted to the School of Graduate Studies, University of Education, Winneba, in partial fulfilment of the requirements for the award of the degree of Master of Philosophy (Theatre Arts (Events Management) degree in University of Education, Winneba JULY 2024

2024-07-01T00:00:00Z Quarcoo, D.D. http://41.74.91.244:8080/handle/123456789/5093 2026-03-16T13:27:27Z 2024-12-01T00:00:00Z

Popular dance forms in Christian worship a study of Lighthouse Chapel International Church, Ghana. Quarcoo, D.D. This study explores the integration of popular dances into Ghanaian Christian worship, focusing specifically on charismatic congregations such as Lighthouse Chapel International. The research aims to identify and classify the popular dance forms in Christian worship, also to explore the motivations driving this integration, and understand how these practices influence the worship experiences within the church community. Utilising a qualitative phenomenological approach, data was collected through semi-structured interviews and participant observations conducted over a six-month period in two branches of Lighthouse Chapel International: Anagkazo Assemblies at Nyanyano-Kakraba and Bluerose at Budumburam. The findings reveal a high integration of Afro-Dance and Amapiano dances, which serve as personalised expressions of faith. Participants highlighted motivations such as personal expression and talent utilisation, community engagement, and the enhancement of worship experiences through dance. This integration facilitates inclusivity and generational connection within the church, although it also raises concerns regarding doctrinal integrity and appropriateness. The semiotic theory framework employed allows for an understanding of dance as a system of signs that communicates cultural, emotional, and spiritual messages in worship. Overall, this research presents perspectives into the relationship between tradition and modernity in Ghanaian Christian worship practices, emphasising the importance of thoughtful integration of popular dance forms in promoting engaging and inclusive worship experiences. Thesis in the Department of Theatre Arts, School of Creative Arts, submitted to the School of Graduate Studies in partial fulfilment of the requirements for the award of the degree of Master of Philosophy (Theatre Arts) in the University of Education, Winneba DECEMBER, 2024

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